『拡張宇宙』ヴィッキー・オスターワイル:ディズニーはいかにして映画を殺し、世界を支配したか
ヴィッキー・オスターワイルの『拡張宇宙』(The Extended Universe)は、ディズニー作品への愛着と資本主義・帝国主義・知的財産への深い疑念を同時に抱く批評家の視点から、ディズニーがいかにして映画を「殺し」世界を支配したかを論じる。12のディズニー映画の精読を通じて、知的財産、植民地主義、人種抑圧が同一の支配欲求の表れであることを明らかにする、批評の傑作。
ヴィッキー・オスターワイルの『拡張宇宙』(The Extended Universe)は、ディズニー作品への愛着と資本主義・帝国主義・知的財産への深い疑念を同時に抱く批評家の視点から、ディズニーがいかにして映画を「殺し」世界を支配したかを論じる。12のディズニー映画の精読を通じて、知的財産、植民地主義、人種抑圧が同一の支配欲求の表れであることを明らかにする、批評の傑作。
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